Away Above a Harborful
Megan Koch
Away above a harborful
of caulkless houses
among the charley noble chimneypots
of a rooftop rigged with clotheslines
a woman pastes up sails
upon the wind
hanging out her morning sheets
with wooden pins
O lovely mammal
her nearly naked breasts
throw taut shadows
when she stretches up
to hang at last the last of her
so white washed sins
but it is wetly amorous
and winds itself about her
clinging to her skin
So caught with arms
upraised
she tosses back her head
in voiceless laughter
and in choiceless gesture then
shakes out gold hair
while in the reachless seascape spaces
between the blown white shrouds
stand out the bright steamers
to kingdom come
Megan Koch
Away above a harborful
of caulkless houses
among the charley noble chimneypots
of a rooftop rigged with clotheslines
a woman pastes up sails
upon the wind
hanging out her morning sheets
with wooden pins
O lovely mammal
her nearly naked breasts
throw taut shadows
when she stretches up
to hang at last the last of her
so white washed sins
but it is wetly amorous
and winds itself about her
clinging to her skin
So caught with arms
upraised
she tosses back her head
in voiceless laughter
and in choiceless gesture then
shakes out gold hair
while in the reachless seascape spaces
between the blown white shrouds
stand out the bright steamers
to kingdom come
“Away Above a
Harborful” is a poem by famous poet Lawrence Ferlinghetti. In this poem
Ferlinghetti is reflecting upon his love for this woman. The main theme of this
poem is love, you can tell that he truly loves this woman because he explains
her every move in detail.
In
the first couple of lines Ferlinghetti starts it off with him waking up and
looking around enjoying the view. Felinghetti explains that he can see the
house tops of houses down below and how he can see the harbour from his window,
from the sounds of this, it seems like he lives on a hilltop. Then he sees who
is either his girlfriend or wife hanging up her sheets. He then goes on talking
about how she’s hanging up her morning sheets. When he writes “a woman pastes
up sails”, he’s comparing the morning sheets to the sails of the ships in the
water. It’s almost as if you’re there and you’re watching this woman.
From the line
“to hang at last the last of her” what he means is this woman is hanging the
last of her sheets and as the wind blows, the sheets are sticking to her since
they are still wet. In the last couple of lines, from when Ferlinghetti writes
“she tosses back her head”, he’s describing the way she’s laughing as she’s
hanging up her sheets. Perhaps, he said something funny since she was laughing.
Then Ferlinghetti goes on about how the sheets look like streamers opening to
this woman’s kingdom. Perhaps he’s comparing this woman to a princess.
The metaphors in
this poem are “a woman pastes up sails upon the wind”, and “stand out the
bright streamers to kingdom come”. In the first metaphor, Ferlinghetti is
comparing the sheets to the sails of boats. In the second metaphor, he is
comparing the sheets to streamers, he’s describing the streamers to be opening
up to the woman’s kingdom.
Lastly, the mood
and tones in this poem are in love and happiness. The woman is completely
happy, perhaps she’s happy because of the fact that she has Ferlinghetti in her
life. However, he comes across as completely in love with this woman. This is
because the way he watches every one of her moves and describes the way she
moves, in detail. The tone is also in love, this is again because of the fact
that he’s describing her every move, it seems like he’s completely head over
heels for this woman.
There are no 'streamers' in this poem, for chrissakes, they're STEAMERS, i.e. ships in the harbor.
ReplyDeleteThere are no 'streamers' in this poem, for chrissakes, they're STEAMERS, i.e. ships in the harbor.
ReplyDeleteYes, steamers sailing to Kingdom come. Expansive, appealing mystery, like the woman's femininity. And why does the woman have to be a personal love of Ferlinghetti's. Can't she just be a marvellous sexual woman? In the original iteration of the poem, Ferlinghetti used the word 'teats' rather than 'breasts'. I don't know why he changed it. The original was far better and captured her animality, which was consistent with describing her as a human mammal.
ReplyDelete